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Subject: orion-list Writing systems: Added Bib
Whether people understand the relevance or not, here are the books
referred to in the previous post - plus a few helpful additions:
Stevick, Robert D. _Suprasegmentals, Meter and the Manuscript of Beowulf_.
The Hague: Mouton (1968).
Cre'pin, Andre. __Beowulf: Edition diplomatique et texte critique,
traduction franc,aise, commentaires et vocabulaire_. 2 vols.
Go"ppingen: Ku"mmerle Verlag, 1991.
O'Keeffe, Katherine O'Brien. _Visible Song: Transitional Literacy in Old
English Verse_. Cambridge: Cambridge UP, 1990.
Kelly, Rev. Columba, O.S.B. _The Cursive Torculus Design in the Codex St.
Gall 359 and its Rhythmical Significance: A Paleographical and
Semiological Study_. St. Meinrad, Indiana: Abbey, 1964.
Altman, Rochelle I. _Psalms from the Paris Psalter: Psalm 23(22)_. 1993.
(Out of print - copyright reverted and parts included in
forthcoming book.)
For a good discussion on the basics of chant in general:
Sunyol, Gregori M. _Introduccio a la Paleografia Musical Gregoriana_.
Montserrat: Abadia, 1925.
Apel, Willi. _Gregorian Chant_. Bloomington & Indianapolis: Indiana
U Press, 1990. (See particularly the first three chapters on
the relationship of Christian music to the Hebrew melodies.)
For a discussion on the territorial aspects of scriptoria, see:
Corbin, Solange. "Die Neumen." _Palaeographie der Musik_. Koln: Arno
Volk, 1979.
Basic reading on Hebrew Poetry:
Watson, Wilfred G. E. _Classical Hebrew Poetry: A Guide to its Techniques_.
Sheffield: JSOT, 1984.
Van der Meer, Willem and Johannes C. de Moor. _The Structural analysis of
Biblical and Canaanite Poetry_. Sheffield: JSOT, 1988. 1-61.
For a model on how to correlate graph-to-phone, see:
Marchand, James W. _The Sounds and Phonemes of Wulfila's Gothic_. The
Hague: Mouton, 1973.
For an understanding of the role of memory in these cultures, see:
Carruthers, Mary J. _The Book of Memory: A Study of Memory in Medieval
Culture_. Cambridge: CUP, 1990. (Reprt. 1993, 1994).
Cheers,
Rochelle
For private reply, e-mail to "Rochelle I. Altman" <risa@mail.hol.gr>
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